Choosing the right sketchbook depends on knowing how you’ll use it.

From top to bottom: drawing pen, alcohol-based marker, colored pencil, brush pen, pencil, watercolor palette

The tool an artist uses to draw or sketch with is called a medium. A medium can be dry (such as a graphite pencil or colored pencil) or wet (such as a brush pen, marker, drawing pen, or paint). Dry media do well on most papers, while wet media generally prefer stronger, heavier paper. Knowing the medium you will use will help determine the appropriate sketchbook for you.

The Diary Maruman Croquis Diary Sketchbook tucks easily into a Doughnut Macaroon Mini Backpack.

Do you tote a sketchbook everywhere you go, or do you only sit down with it in your studio? Does your sketchbook need to fit in a pocket or a travel bag? The construction of a sketchbook’s binding and cover, as well as its size, are the key factors that decide portability. Look for more durable options like thread or wire bindings and chipboard covers instead of paper.

Sketchbooks might be used for rough planning drawings (left) or for elaborate finished pieces (right).

Do you make every page a beautiful work of art, or do you need a space to sketch and doodle plans for pieces you’ll finish elsewhere? Both are perfectly reasonable ways to use a sketchbook, but it’s good to know in advance. Otherwise, you might pick up a fancy sketchbook and be too intimidated to “waste a page” or select a sketchbook with thin paper that can’t support your grand artistic ambitions.

Let’s break down the traits that make a sketchbook suited to different applications.

Size

The Strathmore 400 Series Mixed Media Pad (left) is a large sketchpad, and this pocket-size Stillman & Birn Sketchbook (right) is a smaller option.

Sketchbooks vary in size and number of pages. Small pocket sketchbooks are nice for carrying around, while larger sketchbooks give artists a bigger canvas for creativity. Sketchbooks with fewer pages are also easier to carry, but some artists prefer having as much paper as possible in their sketchbooks.

Binding and Cover

A Global Art Field Watercolor Journal has hard fabric-covered covers and twin ring binding, while smaller Stillman & Birn Sketchbooks have softcover leatherette covers and thread and glue binding.

The durability of a sketchbook often depends on its binding and cover. Thread and glue bound sketchbooks are a popular option. The paper is sewn into sets of sheets called signatures, then attached to a cover. These sketchbooks are sturdier and can hold more pages, though some may need to be broken in to lay flat.

Other sketchbooks may have spiral or twin-ring bindings. Artists may prefer these bindings since they lay flat and don’t hinder the drawing process. If you like these binding styles but want to be able to tear pages out easily, look for sketchbooks that have perforated pages. Glue binding is the least durable binding style, most often used in pads of paper instead of sketchbooks, but it’s great for cleanly removing pages.

For artists who keep sketchbooks as part of a portfolio, a hard cover can extend the lifespan of a sketchbook. An elastic closure on your sketchbook also helps protect the artwork inside.

Paper Weight

The Maruman Croquis Diary Sketchbook (left) has thin 60 gsm paper, while the Global Art Field Watercolor Journal (right) has very thick 300 gsm paper.

Paper weight is an important consideration—it is often the difference between a wrinkled, crumpled mess or a polished piece. While some brands use pounds (lbs) to delineate paper weight, we prefer using grams per square meter (gsm) because imperial weight (lbs) is more difficult to define and may be inconsistent. The higher the number of gsm, the thicker and sturdier the paper.

Material and Finish

Textured (left) versus smooth (right) paper

Most sketchbooks use paper made of wood pulp, which is processed to produce a variety of textures. Some sketchbooks use specialty paper made of cotton—thick cotton paper is ideal for watercolors as it’s more durable, while thin cotton paper makes wonderful tracing paper.

There are a variety of terms that can be used to describe texture, including “hot press" or “plate" for smooth papers, and “cold press" or “toothy" for rough papers.

Smooth papers are ideal for drawings with sharp edges and fine details, though they aren’t best for dry media that need to catch in the grain to transfer color. Toothy papers produce textured drawings with vibrant colors, but may leave gaps in the drawing due to the rough surface.

To protect their drawings, artists should look for paper that is acid-free. Acid-free papers tend not to discolor or break down over time, allowing your art to keep its true colors. Paper color also differs across sketchbooks. The most common colors are white, off-white, and ivory. Some specialty sketchbooks may feature toned paper in shades of dark beige, tan, or gray.

Products Used: Uni Arterase Color Pencils, Prismacolor Premier Color Pencils, and Pentel Pocket Brush Pen.

Dry media will work on most surfaces, but we recommend choosing a relatively smooth paper with some tooth. If the paper is too smooth, the pencil will streak or look washed out; if it is too rough, the pencil will skip. Graphite pencils work best on paper with a bit of texture, since the paper catches the graphite and separates it from the pencil lead. On the other hand, colored pencils generally draw better and have superior color payoff on smoother paper.

The Alpha sketchbook is a joy to use with graphite and colored pencils. The white paper has a mild tooth that catches just the right amount of pigment. It's heavier than the average sketchbook for dry media, but this makes it versatile as you can use it with light washes of ink or watercolor. If you prefer ivory paper, the Gamma sketchbook has the same weight and tooth. If you want smoother paper for colored pencils, you can opt for the Epsilon sketchbook instead.

Products Used: Tombow Fudenosuke Brush Pen, Platinum Carbon Ink, and Uni-ball Signo Broad UM-153 White Gel Pen.

Inking tools include brush pens, drawing pens, and pointed pens with bottled inks. Bottled inks can also be diluted with water to create ink washes. To prevent bleeding, it’s best to avoid lightweight paper. Smooth paper allows an artist to create crisp, clean lines, but can also make the ink dry slowly. On the other hand, rough paper may produce sketchy and dry brush effects.

The Strathmore 400 Series Mixed Media Pad is filled with smooth heavyweight paper. Its mixed media capabilities allow you to soak a page with an ink wash or layer watercolor over your lines. For strong black lines and spot fills, be sure to work with opaque ink.

The Mixed Media Pad is also available in black, and it's our recommendation for the best black paper sketchbook.

Products Used: Copic Sketch Markers.

Alcohol-Based markers such as Copics are an artist favorite to draw and color with, but they need to be paired with the right paper in order to shine. Because of the markers’ chemical properties, there are some things to keep in mind. First, the ink is highly prone to bleedthrough, which can stain surfaces underneath and render the backside of a page unusable. Some bleedthrough is almost impossible to avoid. Second, the ink tends to spread, which is when the strokes seem to grow in size right after you make them on the paper. Beware of more absorbent papers such as watercolor paper as they can dry the markers out more quickly.

The smooth paper of a Strathmore 400 Series Marker Pad is great for alcohol ink. Strokes don’t spread, colors don’t streak, layers build easily, and blending is almost effortless. Heavy layering does cause bleedthrough, but it’s easily fixed by removing a sheet from the glue binding and working on a protected surface, or by keeping scrap paper between pages.

For a more portable option, pick up a Copic Sketchbook. Although it’s filled with slightly thinner pages, lines don't feather and colors stay vivid. Plus, its durable twin-ring binding and two small sizes make it easy to take on the go.

Products Used: Kuretake Gansai Tambi Watercolors and Molotow GRAFX Masking Liquid Pump Markers.

While many medium-weight sketchbooks can handle light washes of color, we’ve picked out heavyweight sketchbooks that can take water without pilling or much warping. We especially recommend finding a sketchbook with paper made of cotton as it can hold water better. Cold press finishes are nice for beginners as they provide good color absorption, while hot press finishes may be too smooth for beginners to work with. For more on watercolor techniques, see our guide here.

This heavyweight acid-free cold press paper is designed especially for use with watercolors. The textured surface takes color brilliantly but is smooth enough that you can blend and reactivate paints well. Available in three sizes, each sketchbook has a durable hard cover and sturdy twin ring binding to take along on your adventures.

If you would like to paint with your watercolors peacefully at home, Global Art Fluid 100 Watercolor Paper Easy-Blocks contain 100% cotton paper with glued binding on two edges to prevent the paper from buckling when wet. Since the binding is very secure, take care when removing your work from the block.

If you’re looking for a smaller watercolor sketchbook or one with a sewn binding, the Stillman & Birn Beta Sketchbook contains extra heavyweight paper that’s perfect for layering watercolors with no bleeding, streaking, or pilling. The Delta series contains the same paper in ivory.